Creativity and Its Discontents

Author: Laikwan Pang

Publisher: Duke University Press

ISBN: 9780822350828

Category: History

Page: 312

View: 186

Laikwan Pang offers a complex critical analysis of creativity, creative industries, and the impact of Western copyright laws on creativity in China.
Creativity and Its Discontents

Author: Alan Wyk

Publisher: Walter de Gruyter

ISBN: 9783110327854

Category: Philosophy

Page: 250

View: 925

"I do not expect a good reception from professional philosophers" wrote Whitehead in 1929, immediately after the publication of Process and Reality. Indeed, it took nearly thirty years before scholars seriously started to try to decipher the book taken as a whole. And there remains today "professional" Whiteheadians who claim that this work can - or even should - be bracketed by anyone wishing to get a clear picture of Whitehead's true speculative agenda. Creativity and Its Discontents aims to provide evidence of the conditions for this state of affairs by gathering and contextualizing all the major reviews (translated where need be) of Process and Reality: its original 1929 edition, its various translations (some of them still ongoing) and its 1978 corrected edition. It is designed as the ideal tool to accompany the recently published Handbook of Whiteheadian Process Thought.
Late Style and Its Discontents

Author: Gordon McMullan

Publisher: Oxford University Press

ISBN: 9780198704621

Category: Art

Page: 285

View: 247

"Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.
Neoliberal Turkey and its Discontents

Author: Fikret Adaman

Publisher: Bloomsbury Publishing

ISBN: 9781786732095

Category: Business & Economics

Page: 288

View: 927

The 'neoliberal' economic policy of President Recep Tayyip Erdogan's AKP Party, which has delivered extraordinary growth in Turkish GDP over the last decade, has been one of the foundations of the party's popular appeal. Here, a group of experts on Turkish political economy show how these policies have also had a detrimental impact on the environment, sustainability and the long-term health of the Turkish economy. Taking the two main sectors of growth during the past decade-energy and construction-as its primary focus, the book engages broadly with the political economy of inequality and sustainability in contemporary Turkey. Ultimately, the authors argue that 'environmental conflicts' in Turkey are not merely about the environment but intersect with contemporary politics of religion, ethnicity, gender, and class within the context of top-down, modernising economic development. Neoliberal Turkey and its Discontents marks an important contribution to debates around the economic growth of Turkey and the future of the AKP's long-term economic plan.
Encyclopedia of Creativity

Author: Mark A. Runco

Publisher: Academic Press

ISBN: 9780122270758

Category: Medical

Page: 1698

View: 375

This encyclopaedia provides specific information and guidance for everyone who is searching for greater understanding and inspiration. Subjects include theories of creativity, techniques for enhancing creativity, individuals who have made contributions to creativity.
Boredom, Shanzhai, and Digitisation in the Time of Creative China

Author: Jeroen de Kloet

Publisher: Amsterdam University Press

ISBN: 9789048535538

Category: Business & Economics

Page:

View: 324

With its emergence as a global power, China aspires to transform from "made in China" to "created in China". Mobilised as a crucial source for solid growth and "soft power," creativity has become part of the new China Dream. This anthology engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake stuffs challenge notions of the original and authentic? Which spaces for expressions and contestations has China's fast-developing digital world of Weixin, Taobao, Youku and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents and field notes, from thinkers, researchers, practitioners and policy-makers, contribute to explore, examine and problematize what is going on in China now, ultimately to tease out its implication to our understanding of "creativity".
Why We Can't Have Nice Things

Author: Minh-Ha T. Pham

Publisher: Duke University Press

ISBN: 9781478023210

Category: Design

Page: 87

View: 300

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
Underglobalization

Author: Joshua Neves

Publisher: Duke University Press

ISBN: 9781478009023

Category: Social Science

Page: 272

View: 875

Despite China's recent emergence as a major global economic and geopolitical power, its association with counterfeit goods and intellectual property piracy has led many in the West to dismiss its urbanization and globalization as suspect or inauthentic. In Underglobalization Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China. Focusing on a wide range of media technologies and practices in Beijing, Neves shows how piracy and fakes are manifestations of what he calls underglobalization—the ways social actors undermine and refuse to implement the specific procedures and protocols required by globalization at different scales. By tracking the rise of fake politics and transformations in political society, in China and globally, Neves demonstrates that they are alternate outcomes of globalizing processes rather than anathema to them.
Negotiating Values in the Creative Industries

Author: Brian Moeran

Publisher: Cambridge University Press

ISBN: 9781139502894

Category: Business & Economics

Page:

View: 567

Fairs, festivals and competitive events play a crucial role in the creative industries; yet their significance has been largely overlooked. This book explores the role of such events through a series of studies that include some of the most iconic fairs and festivals in the world. It brings together a team of distinguished scholars to examine art fairs, biennales, auctions, book fairs, television programming markets, film festivals, animation film festivals, country music festivals, fashion weeks, wine classifications and wine tasting events. This diverse set of studies shows that such events serve a variety of purposes: as field-configuring events (FCEs), as a way of ritualising industry practices and as 'tournaments of values' where participants negotiate different cultural values to resolve economic issues. Suitable for academics and practitioners, this book presents a fascinating perspective on the role and importance of fairs, festivals and competitive events in the creative industries.
Handbook of Creativity

Author: Robert J. Sternberg

Publisher: Cambridge University Press

ISBN: 0521576040

Category: Psychology

Page: 508

View: 386

The goal of the Handbook of Creativity is to provide the most comprehensive, definitive, and authoritative single-volume review available in the field of creativity. To this end, the book contains 22 chapters covering a wide range of issues and topics in the field of creativity, all written by distinguished leaders in the field. The chapters have been written to be accessible to all educated readers with an interest in creative thinking. Although the authors are leading behavioral scientists, people in all disciplines will find the coverage of creativity divided in the arts and sciences to be of interest. The volume is divided into six parts. Part I, the Introduction, sets out the major themes and reviews the history of thinking about creativity. Subsequent parts deal with methods, origins, self and environment, special topics and conclusions.
The Possibilities of Creativity

Author: Peter O'Connor

Publisher: Cambridge Scholars Publishing

ISBN: 9781443890045

Category: Creative ability

Page: 190

View: 912

This volume brings together internationally renowned academics, arts practitioners and thinkers to take a multi-disciplinary look at the nature of the creative process and examine its possibilities for social and individual change. The book challenges the most common misconceptions about how we can be creative, and suggests that creativity is central to human survival.